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in a world saturated with noise, urgency, and outrage, we choose a quieter path - one rooted in listening, presence, and trust. we are interested in what happens when attention replaces volume, when kindness carries difficult truths further than force ever could.
the theatre actress eleonora duse acting on stage (probably in the lady of the camellias). asolo, 1890 (photo by mondadori via getty Images)
we are committed to natural, disciplined acting that prioritizes relationship over performance. drawing inspiration from artists like eleonora duse and yevgeny vakhtangov, we seek a balance between truth and imagination - work that is grounded in the body but alive with possibility. minimalist staging is a deliberate choice, allowing the audienceās imagination to remain active and engaged.
casting at duse productions is based on skill, presence, and craft rather than surface resemblance. we trust actors to transform and audiences to follow. theatre is not a photographic medium; it is a collaborative act of imagination.
we value intimacy. our productions are often staged in close proximity, where the exchange between actors and audience remains immediate and human. in these spaces, the audience is not instructed or addressed, but welcomed as a witness to the creative process as it unfolds.
yevgeny vakhtangov
above all, we believe theatre is not here to replicate the world as it is, but to point toward what we are capable of becoming. our aim is not to scold, provoke, or overwhelm, but to create conditions where reflection feels possible and shared attention feels meaningful.
this philosophy guides our first production, an enemy of the people, and will continue to guide our work as we return to the classical canon - not to reinvent it, but to listen to it more closely.Ā
carlo gozzi“s princess turandot, performance by yevgeny vakhtangov (1922)
get this image on: getty images | license detailscreator: ullstein bild dtl. credit: ullstein bild via getty images